Eugene David
...The One-Minute Pundit

Tuesday, March 22, 2005


HERR DOKTOR SONDHEIM'S SEVENTY-FIFTH, another of those artificial stories made to sell things, is not a cause of celebration, but one of contemplation, and scorn, as we see the vast empty hole where a lively musical theater was, and as the DOKTOR, with his obsessions and pretensions, helped to excavate it. We forget that this genius was a pupil of Oscar Hammerstein II, and he carried Hammerstein's earnestness to its logical bitter end, and where Hammerstein spoke to all people for all time with songs like "Ol' Man River," the DOKTOR's musicals, with their cutesy artsy angles ("A musical about POINTILLISM?!?", as David Denby quoted a theatergoer in one of his few lucid moments) and death-fixation, predictably became cult favorites for a trendy and marginal elite. It is no wonder John Simon (who must take a little responsibility himself as a fan of HERR DOKTOR) mourned as he did after watching THE HIGH-SCHOOL REVUE. Is a culture without a musical theater a culture worth defending?

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