Eugene David ...The One-Minute Pundit |
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Tuesday, May 24, 2011
INJURY: Crappy movies.
INSULT: Many movie theaters don't project the crappy movies properly, using picture-dimming 3D lenses for 2D -- and most theater chains don't care. Then again.... Digital is the future — the Common plans to be all-digital by July — if only because it saves studios millions of dollars a year on processing film prints. Why, then, did Regal and AMC sign contracts in early 2009 — and National Amusements in June 2010 — with Sony, the one manufacturer whose projectors feature the external 3-D lens that’s too expensive and difficult to easily remove for 2-D showings? The reason appears to be a basic business quid pro quo. Sony provides projectors to the chains for free in exchange for the theaters dedicating part of their preshow ads to Sony products. Unfortunately, the 3-D boom took off in late 2009 and Sony had to come up with a retrofitted solution. Said the Phantom Projectionist, “To me it feels like they’re serving people pigeon burgers and telling them its grade-A beef.’’ But what if audiences don’t notice or don’t care that they’re eating pigeon burgers? When queried by a reporter, moviegoers exiting showings at the Common recently were hard-pressed to pinpoint problems with what they’d just seen. An older couple leaving the under-illuminated 7:15 “Win Win’’ showing thought the film looked fine; another patron praised its “creative lighting.’’ Walking out of the 7:05 showing of “Source Code,’’ Gerry Jurrens, 62, of Kingston, N.J., admitted that “in some places it seemed a little grainy, but it still looks better than what I’ve got at home.’’ Educating audiences and overcoming this inertia can be difficult. TRANSLATION: Bad movies need blind viewers. (Via Cartoon Brew)
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